Summer is in full swing! If there’s one thing that can make a relaxing beach day or a gardening session even better, it’s the perfect audiobook to keep you entertained.
From sharp, tender debuts to the return of that vampiric couple, the hottest audiobooks of the summer are hitting all the right notes. No matter what your ears are itching for, there’s something here for everyone. Read on for our 15 most anticipated audiobooks of summer 2020.
For even more audiobooks you won’t want to miss, check out our full Most Anticipated Upcoming Audiobooks book list.
Pete Riley answers the door one morning and lets in a parent’s worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete’s son, Theo, isn’t actually his son—he is the Lamberts’, switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they’ve been raising for the past two years, life will never be the same again.
The two families, reeling from the shock, take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents—or even each other? What secrets are hidden behind the Lamberts’ glossy front door? Stretched to the breaking point, Pete and Maddie discover they will each stop at nothing to keep their family safe.
Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there’s one thing she’s sure of: she has all she ever wanted.
Then Erica, a woman from Patrick’s past, appears and makes a disturbing accusation. Patrick had always said his first wife’s death was an accident, but now Erica claims it was murder.
Patrick insists he’s innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick—things that make Stephanie begin to question her husband. Stephanie isn’t sure what, or who, to believe. As Stephanie’s trust in Patrick begins to falter, Patrick stands to lose everything. Is Patrick telling the truth—is Erica the persuasive liar Patrick says she is? Or has Stephanie made a terrible mistake?
Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically—lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely.
Now, after many years in Boston, they have retired in North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d rather forget. Because, after all, not all parents are ones you wish to remember.
When Edward Cullen and Bella Swan met in Twilight, an iconic love story was born. But until now, fans have heard only Bella’s side of the story. At last, readers can experience Edward’s version in the long-awaited companion novel, Midnight Sun.
This unforgettable tale as told through Edward’s eyes takes on a new and decidedly dark twist. Meeting Bella is both the most unnerving and intriguing event he has experienced in all his years as a vampire. As we learn more fascinating details about Edward’s past and the complexity of his inner thoughts, we understand why this is the defining struggle of his life. How can he justify following his heart if it means leading Bella into danger?
In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.
Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.
Franny Stone has always been a wanderer. By following the ocean’s tides and the birds that soar above, she can forget the losses that have haunted her life. But when the wild she loves begins to disappear, Franny can no longer wander without a destination. She arrives in remote Greenland with one purpose: to find the world’s last flock of Arctic terns and follow them on their final migration. She convinces Ennis Malone, captain of the Saghani, to take her onboard, winning over his eccentric crew with promises that the birds she is tracking will lead them to fish.
As the Saghani fights its way south, Franny’s new shipmates begin to realize that she is full of dark secrets: night terrors, an unsent pile of letters, and an obsession with pursuing the terns at any cost. When the story of her past begins to unspool, Ennis and his crew must ask themselves what Franny is really running toward—and running from.
Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules.
As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.
Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era.
In two-time O. Henry-prize winner Swamy’s debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In ‘Earthly Pleasures,’ Radika, a young painter living alone in San Francisco, begins a secret romance with one of India’s biggest celebrities. In ‘A Simple Composition,’ a husband’s moment of crisis leads to his wife’s discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade’s edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.
After finding himself caught up in one of Louisiana’s oldest and bloodiest family rivalries, Detective Dave Robicheaux must battle the most terrifying adversary he has ever encountered: a time-traveling superhuman assassin.
The Shondell and Balangie families are longtime enemies in the New Iberia criminal underworld and show each other no mercy. Yet their youngest heirs, Johnny Shondell and Isolde Balangie, rock and roll-musician teenagers with magical voices, have fallen in love and run away after Isolde was given as a sex slave to Johnny’s uncle.
As he seeks to uncover why, Detective Dave Robicheaux gets too close to both Isolde’s mother and the mistress of her father, a venomous New Orleans mafioso whose jealousy has no bounds. In retribution, he hires a mysterious assassin to go after Robicheaux and his longtime partner, Clete Purcel. This hitman is unlike any the “Bobbsey Twins from Homicide” have ever faced. He has the ability to induce horrifying hallucinations and travels on a menacing ghost ship that materializes without warning. In order to defeat him and rescue Johnny and Isolde, Robicheaux will have to overcome the demons that have tormented him throughout his adult life—alcoholism, specters from combat in Vietnam, and painful memories of women to whom he opened his heart only to see killed.
As the war rages on in the summer of 1943, causing massive destruction and widespread fear, the King and Queen choose to quietly send their youngest daughter, Princess Charlotte, to live with a trusted noble family in the country. Despite her fiery, headstrong nature, the princess’s fragile health poses far too great a risk for her to remain in war-torn London.
Third in line for the throne, seventeen year-old Charlotte reluctantly uses an alias upon her arrival in Yorkshire, her two guardians the only keepers of her true identity. In time, she settles comfortably into a life out of the spotlight, befriending a young evacuee and training with her cherished horse. But no one predicts that in the coming months she will fall deeply in love with her protectors’ son.
She longs for a normal life. Far from her parents, a tragic turn of events leaves an infant orphaned. Alone in the world, that child will be raised in the most humble circumstances by a modest stable manager and his wife. No one, not even she, knows of her lineage. But when a stack of hidden letters comes to light, a secret kept for nearly two decades finally surfaces, and a long lost princess emerges.
Jenny McLaine’s life is falling apart. Her friendships are flagging. Her body has failed her. She’s just lost her column at The Foof because she isn’t the fierce voice new feminism needs. Her ex has gotten together with another woman. And worst of all: Jenny’s mother is about to move in. Having left home at eighteen to remake herself as a self-sufficient millennial, Jenny is now in her thirties and nothing is as she thought it would be. Least of all adulthood.
Told in live-wire prose, texts, emails, script dialogue, and social media messages, Grown Ups is a neurotic dramedy of 21st-century manners for the digital age. It reckons with what it means to exist in a woman’s body: to sing and dance and work and mother and sparkle and equalize and not complain and be beautiful and love your imperfections and stay strong and show your vulnerability and bake and box…
But, despite our impossible expectations of women, Emma Jane Unsworth never lets Jenny off the hook. Jenny’s life is falling apart at her own hands and whether or not she has help from her mother or her friends, Jenny is the only one who will be able to pick up the pieces and learn how to, more or less, grow up. Or will she?
B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.
All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être.
When overachiever Leena Cotton is ordered to take a two-month sabbatical after blowing a big presentation at work, she escapes to her grandmother Eileen’s house for some long-overdue rest.
Eileen is newly single and about to turn eighty. She’d like a second chance at love, but her tiny Yorkshire village doesn’t offer many eligible gentlemen.
So they decide to try a two-month swap.
Eileen will live in London and look for love. She’ll take Leena’s flat, and learn all about casual dating, swiping right, and city neighbors. Meanwhile Leena will look after everything in rural Yorkshire: Eileen’s sweet cottage and garden, her idyllic, quiet village, and her little neighborhood projects.
But stepping into one another’s shoes proves more difficult than either of them expected. Will swapping lives help Eileen and Leena find themselves…and maybe even find true love?
In this companion to the award-winning Darius the Great Is Not Okay, Darius suddenly has it all: a boyfriend, an internship, a spot on the soccer team. It’s everything he’s ever wanted—but what if he deserves better?
Darius Kellner is having a bit of a year. Since his trip to Iran, a lot has changed. He’s getting along with his dad, and his best friend Sohrab is only a Skype call away. Between his first boyfriend, Landon, varsity soccer practices, and an internship at his favorite tea shop, things are falling into place.
Then, of course, everything changes. Darius’s grandmothers are in town for a long visit, and Darius can’t tell whether they even like him. The internship is not going according to plan, Sohrab isn’t answering Darius’s calls, and Dad is far away on business. And Darius is sure he really likes Landon . . . but he’s also been hanging out with Chip Cusumano, former bully and current soccer teammate—and well, maybe he’s not so sure about anything after all.
Darius was just starting to feel okay, like he finally knew what it meant to be Darius Kellner. But maybe okay isn’t good enough. Maybe Darius deserves better.
Hara Isari has big ambitions and they won’t be sidetracked by her mother’s insisting that she settle down soon. She dreams of leaving her small-town newspaper behind, as well as her felon father, and building a career as a sportswriter, so when she is chosen to exclusively interview a basketball superstar, she jumps at the chance. It’s time to show the bigwigs what she’s truly made of.
At the same time, she meets a rookie on the rise, Derek Darcy. Darcy is incredibly handsome, obnoxiously proud, and has a major chip on his shoulder. Hara can’t think of a man more arrogant and infuriating. However, fate keeps bringing them together—from locker rooms to elegant parties, to the storm of the century—and what begins as a clash might just be more complicated than Hara anticipated. When she begins to see Darcy in a new light, Hara is not quite sure if she should drop the ball or play the love game.
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